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X-WR-CALDESC:Evenementen voor Blikfabriek
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DTSTART:20200101T000000
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DTSTART;TZID=UTC:20230623T180000
DTEND;TZID=UTC:20230623T220000
DTSTAMP:20230601T074234Z
CREATED:20230531T183636Z
LAST-MODIFIED:20230601T074234Z
UID:10000679-1687543200-1687557600@blikfabriek.be
SUMMARY:RAVEL TO UNRAVEL\, Expo Bachelors St-Lucas Antwerpen
DESCRIPTION:Ravel to Unravel\nGraduation exhibition\, 2023 \nThe title “Ravel to Unravel” was born during weeks of conversations about the meaning of this graduation\nexhibition for us as young artists. Philosophical thought about duality and the meaning of the term “uncertainty”\nbrought us together as much as it divided us. What does it mean for us to live in uncertain times and have generations\nbefore us felt the same way?\nOur conversations took place around a table in the Fine Arts atelier of Sint Lucas Antwerp\, some with coffee\, some with\nsoda or water and some with questions about what comes after graduation. Will we find stability in this life as an artist\nwhen we ultimately graduate and are “thrown out into the world”? And is the finding of this so-called stability necessary\nand achievable at all? At the time we started discussing topics and directions for this exhibition\, many artists were\nprotesting weekly in front of the city hall of Antwerp because the government had been sending strong signals to young\nartists. According to them\, we do not contribute enough and not in the right ways. This leads us to the question: How do\nwe position ourselves as students as well as artists in a way to reflect the confidence we have in ourselves without\ndisregarding the struggles of ourselves and others?\nThe thought of collectivity and the future of individual artists and artist collectives were strongly present in the process\nof this exhibition. We looked at how these terms relate to us as artists and thought about the importance of collectivity\nin our present as art students and as practicing artists. The act of organizing this exhibition as a rather large group and\nfiguring out how to navigate between collaboration and one’s own work teaches us a lot about the position we take\nwithin this dynamic. We briefly touched upon the topic of intersections\, “knooppunten\,” or nodes and found that the\nintersections in which we might find each other are the same places where we go a different way. This meant that many\nof the decisions being taken might be renounced and roads not taken might be taken after all.\nWe let ourselves drift away in conversations about decisions and resolutions. How do we\, as a group\, decide on\nsomething that is not just okay for everyone but that reflect a mentality and a visual aspect that we can all find ourselves\nin? The act of flipping a coin was discussed as a way to create a sense of certainty. Giving each side of the coin a\nmeaning and letting it decide for us. We saw in the coin a resemblance to our practice – the process being one side and\nthe finished artwork being the other. The same analogy can be used to look at this exhibition in how the process of\nthinking\, building and collective decision-making leads to what the spectator will see and how those aspects are also\, as\nthe saying goes\, just two sides of the same coin. Are you as a spectator allowed to see only one side of our coin? How do\nwe decide which side carries what meaning and where do we draw the line between showing and not showing?\nAgreeing and disagreeing?\nLooking back on these conversations where we allowed ourselves to agree and disagree\, “Ravel to\nUnravel” reminds us that solutions can be found in the same way you might untie knots in a thread that is completely\nmixed up in itself; in which loose ends are where you start to unravel. It perhaps might only seem complicated because\nyou are looking at the knot from a complicated angle.\nIn relation to this philosophy\, a line will lead you through the exhibition\, or simply suggest a route to take. We will find\nourselves making the decision to walk along the line\, or outside of it. Right on top of it\, or next to it. Does it become part\nof the exhibition or a part of the works? Can it give us a sense of certainty and continuity? Are we giving you a direction\nto go in or are you leading the way? \nPaulina Kaval
URL:https://blikfabriek.be/event/ravel-to-unravel-expo-bachelors-st-lucas-antwerpen/
LOCATION:Blikfabriek – expo\, Krugerstraat 232\, Hoboken\, Antwerpen\, 2660
ATTACH;FMTTYPE=image/png:https://blikfabriek.be/wp-content/uploads/2023/05/Schermafbeelding-2023-05-31-om-22.33.04.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20210623T100000
DTEND;TZID=UTC:20210627T180000
DTSTAMP:20210612T072254Z
CREATED:20210611T075342Z
LAST-MODIFIED:20210612T072254Z
UID:10000522-1624442400-1624816800@blikfabriek.be
SUMMARY:EXPO // Klein Gevaarlijk Afval - Sint Lucas
DESCRIPTION:Klein gevaarlijk afval (KGA) behoort niet tot het restafval. De studenten 3de bachelor vrije kunsten van Sint Lucas Antwerpen nodigen je van harte uit op hun tentoonstelling in de Blikfabriek.\nArtistiek verantwoorde brokstukken op een voormalige industriële site.\nTijdens de opening op 22 juni kan je je tegoed doen aan cocktails en mocktails.\n–\nDeelnemers:\nOrphea Aerts\nKyra Van lent\nYasmine Adoi Ouro-Akondo\nAntje Bots\nMaxime Buitink\nEmma Van Noten\nLotte Vandenbussche\nLiese Cuyvers\nRika Van Hal\nNoor von Winckelmann\nNatalia Semiachkina\nVural Saglam\nPhilippe Chea Oum\nKaat Wouters\nEllemijn Bakker\nLuciana Wolfarth\nDora Brams\nMarcel Szczutkowski\nInez Pittoors\nJosué Sebastião\n–\nopening: 22 juni 2021 vanaf 16u\n23-27 juni 2021\n10-18u.
URL:https://blikfabriek.be/event/klein-gevaarlijk-afval-expo-sint-lucas/
LOCATION:Blikfabriek – expo\, Krugerstraat 232\, Hoboken\, Antwerpen\, 2660
ATTACH;FMTTYPE=application/pdf:https://blikfabriek.be/wp-content/uploads/2021/06/Official-poster-KGA-2.pdf
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